Tuesday, May 13, 2014

Chapter 1 finished

Hello all

My pet music project is finally starting to get new installments! This one in particular is pulling from some recordings I did around 2 years ago. Though the front aesthetic stays a bit cryptic, even has puzzles built in to recordings and page descriptions to hide secret messages, I'd like to be open about the recording processes.

Here is the main page with the album:
https://perch.bandcamp.com/album/ch-1-monsters-in-context

I've already posted the artwork, but I'll go a little into depth with what I was thinking on that. I wanted to emulate some of my favorite old book illustrations, ones that weren't necessarily realistic landscapes, but moreso just representations of different characters/places bound into one form. The gamekeeper is entering the woods on the left, the tree described in the opening piece divides the image, and the space I imagined for "Siskin" is seen through the gap on the left. I wanted the two openings to represent opposites (black on white, white on black) as to reference the title "Monster in Context".

The two main pieces, Whom and Monster in Context both derive from the same recording sessions I was doing 2 years past. After finishing Whom, I felt that the final product was very playful, and thought that it would be an interesting project to try and return to the source material and work on something darker using the same sounds. The tail end of Monster in Context returns to the more playful tones, sort of to round off the body of work.

Quite a few instruments/objects were used for these pieces. Percussion ranges from a handful of hangers, to ripping fabric, to overturned clothes baskets. The synthesizer noises were a handful of digital synths, along with an antique organ that produces a really great, flat sound. I recorded the funky guitar parts while I was at home in Virginia Beach, thinking that Whom needed something that would really characterize it, not just have it be some forgettable, lofty 2-chord track that it started out as.

The opening piece was an improvised recording of digital string/wind instruments passed through a four track tape recorder. In fact many of the sounds were passed through the same tape recorder to add some more natural sounding grain to everything.

A few samples were used, beginning with Mr. Minter's recording of "The Gamekeeper at Home". A few more were the violin sounds in Whom, the trumpet in Siskin, the bell sounds in Monster. I'll leave the rest to be discovered, I suppose.

I don't know if I could encompass everything that has gone into these pieces, some of them have changed drastically in the time they've been worked on, some are 2 or more pieces combined into one, but I can say that the learning process has been immense- and that all of the pieces, though combining to a relatively short playtime, have quite a story behind them.

Anyways, thank you for listening if you do! This is the first of many bodies of work I intend to produce, audience or no.

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